segunda-feira, 10 de agosto de 2026

Stalker (Andrei Tarkovsky: 1979)

Andrei Tarkovsky’s body of work is a thing of such wonder and depth that I didn’t believe myself capable of writing about, but something has compelled me to write about Stalker, and I will leave up to the reader to decide if I was up for the task or not.

Stalker is a movie with a very personal and spiritual message, like many if not all of Tarkovsky’s movies. It takes place in a world where a mysterious “Zone” appeared due to a strange event whose origins are never clear. Men called “stalkers” are able to traverse the Zone, although it is heavily guarded, and bring people to visit it. What lies within the Zone is a danger that is lethal to humans, but also a “Room” that is able to grant the visitor his/her most wanted wish.

In the movie, the characters are all identified by their professions: the main character, a Stalker is hired by two men, a Writer and a Professor, to take them to the Room inside the Zone. The Stalker’s wife tries to keep him from going forward with this “job”, but he goes nonetheless, and the three men traverse the real world obstacles until they manage to get to the Zone. It is an interesting, and logical choice, was made by Tarkovsky to film most of the world outside the Zone in black and white, and the Zone itself in color.

Once inside, the men exchange stories about the Stalker’s mentor, another stalker named Porcupine, who taught him how to traverse this dangerous place where the short path is never the safe option, and where everything changes every time as though the Zone were a living thing that wishes to keep humans out.

The path is beautifully shot and once the trio manage to reach unharmed the antechamber of the Room (the viewer never gets to see what it is like), but neither the Professor nor the Writer choose to enter (the first wished to destroy it and the second wanted to make a wish). In the end, only the Stalker has managed to get what he wants: to be again in the Zone, the one place where he feels peace (in the beginning of the movie he tells his wife: “Can’t you see that everything is a prison to me?”).

In fact, the secret of the Room is a simple one: it will grant you your dearest desire, the thing you want the most. However, there is a danger to this fact: no one truly knows what lies in their hearts until they enter the Room and it reveals that to them, for what one wishes is not always, in fact it rarely is, what one thinks he/she wants. That is the conclusion the Professor comes to when revisiting the story of Porcupine: that man had probably wished for his brother to be alive again but the Room gave him money instead (which lead to his suicide afterwards).

The truth is, as always, something complicated and always subjected to ones’ personal judgment, no one knows what they really want. Unlike the last movie I reviewed, “Obsession”, where the wish asked for was granted (even if with disastrous consequences), here a wish is made, but the place that grants the wish probes the individual that makes the wish and grants them what they want in their heart of hearts, not necessarily what they think they want.

For the Professor, the Room is no longer a danger for even if people come to it with dark intentions, their wish may never be granted, since no human knows himself well enough. On the other hand, the Writer backs down from going into the Room for he does not wish to expose his most inner feelings to such a place.

In conclusion, the movie to me has a deeply spiritual meaning, since no man can truly know what he wants in his inner self. But both the Zone and the Room within it are devoid of an origin point: they appeared and disturbed the world outside in an alien fashion, not being meant to be neither traversed nor understood. Only those who are weak of spirit, like the Stalker, can truly appreciate being in it. This is how his wife describes him when addressing the viewer in the final part of the film, she married a man who people consider weak of spirit and worthless, who gave her a crippled daughter and emotional pain, but who she still loves, in spite of his flaws. In fact, their daughter, although crippled, is shown in the end to have a power akin to that of telekinesis, probably due to her father visiting the Zone so often. There is a lot to unpack in such a movie, but the experience of doing so will make you think and stand in sheer wonder of its’ beauty.

 


 

quinta-feira, 6 de agosto de 2026

Top5 July 2026 Songs


 

 

Last July 5th  I went to the Evil Live event here in Lisbon hoping to see Megadeth live one last time, but also to see Mastodon and Converge. In fact, I had no interest in the headliner, Marilyn Manson, not being a great fan of his music. Yet, when Megadeth cancelled at the last moment and me and two friends had to wait one hour for the headliner, I felt even compelled to leave the event, like many did, instead of waiting one hour for an artist I didn’t wish to see. But one of my friends persuaded me to stay, and I’m glad he did, for Marilyn Manson’s set was crushing from beginning to end, starting with “Nod If You Understand”, a song I spent the remainder of the month listening to.

For a while, I have been rediscovering bands from the nu metal heyday, and a friend recommended me American Head Charge’s The War of Art, and although most of the record reminds me of their contemporaries Chimaira, “Just So You Know” is a stand out in the record and I have been hooked on this song all month.

R.E.M is a band that I saw live many years ago and a band my father listens to a lot, and I have been listening to them over the years, with “The Great Beyond” being one of my favorite songs by them. It is a moody and sad song, but also very energetic, a song where the opposites bring out the best in the band. The video itself is amazing, made of collages between the band performing in increasingly insane situations and scenes taken from Man on the Moon, starring Jim Carrey, a movie I have seen sporadically over the years, whose mood is captured perfectly in this song.

Recently I decided to revisit Coldplay, and “Talk” is a song I loved when it first came out in 2005, a stand out song in X & Y, and one of my favorites by this British group. It is an interesting song about communication it also, to me, is a song about despair when one feels alone. The guitar riff taken from a Kraftwerk song, plus the keyboard ambiences, make “Talk” an amazingly soothing song.

In the end, we have “Brothers in Arms” by Dire Straits, an amazing song about war and companionship. The mood established by the keyboards with the amazing lead guitar work of Mark Knopfler is somber, sad and strangely comfortable like a blanket on a winter’s night (corny, I know).

All in all, July was a more hectic a melancholic month for me, but with great concerts, starting with the Evil Live Warm Up show with Okkultist, Cavalera and Trivium; Evil Live with Marilyn Manson, Mastodon and Converge; and finally Sunn 0))) (on a separate event). As always I leave below the Top5 playlist as well as the official websites of each artist (American Head Charge no longer have an active website, but have recently made their catalogue partially available on Spotify).

 

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Spotify Top5 July Songs: https://open.spotify.com/playlist/06QkSeXyxTsKPlohHwtN6q?si=0a93f5534d4f4c16

 

Marilyn Manson: https://www.marilynmanson.com/

American Head Charge: https://open.spotify.com/intl-pt/artist/6Ig4qybKXgMN2FLSM7GKau

R.E.M.: https://remhq.com/history/

Coldplay: https://www.coldplay.com/

Dire Straits: https://www.direstraits.com/