quinta-feira, 18 de junho de 2026

Obsession (Curry Barker: 2025)

What is the line that separates love from obsession? That is the question that I believe is at the crux of this movie’s plot, for although the main character asks for love, what he gets is an obsessive desire from his beloved. In fact, the movie shows us a loving, healthy beginning of a relationship in a quick montage that is overshadowed by the events that follow it. One often hears “beware what you wish for”, and in Obsession, you definitely should heed that warning.

The movie opens with Bear, the main character, practicing with a stranger how to express his feelings for Nikki, a longtime friend and love interest. It is clear that Bear lacks social skills and is an isolated young man, for when he comes home, he finds his cat Sandy dead and proceeds to mourn her like a loved member of his family. He later feels persuaded to go to a quiz event with his group of friends, that includes not only Nikki but also Ian (who helps Bear with his situation, but is also seeing Nikki on-and-off without his knowledge) and Sarah (an aspiring artist who clearly has feelings for Bear, but never expresses them fully).

Before the meet-up, Bear had decided to buy something for Nikki, as she had lost something dear to her. While perusing the items in the shop, Bear decides to buy a “magical stick” that grants a wish to the person who breaks it. After the quiz, Bear takes Nikki home and she decides to ask something to him and I remember that I was sitting next to a couple while watching this movie, and in this particular scene, the girl who I was sitting next to commented that Nikki clearly likes Bear. Yet, Bear does not take the opportunity to show his feeling towards her and she walks home. And then he makes the whish while breaking the “magic stick” and, almost immediately Nikki begins to act strangely.

What ensues is the loving montage I mentioned above, before the obsession “kicks in” and chaos ensues. In a way, this reminds me of Alexander Sokurov’s Faust, a beautiful movie about the myth of the man who sells his soul to the devil. In this version of the story, Faust sells his soul to possess a woman he clearly could have had without selling his soul, which is the same in this case: Bear didn’t need to wish for Nikki to love him, for she already does, to some degree. In both cases, the decision to make a wish or to sell ones’ soul means doom not only for the central, but also for the object of their desire, while also being a pointless sacrifice that needn’t be made.

As a horror movie, Obsession makes you feel awkward and uncomfortable as you watch, for the way Nikki expresses her obsession over Bear is incredibly close to what can happen in real life. Maybe one has already witnessed something similar or has felt it, even if not to such a degree. The end of the movie leaves the viewer feeling empty for there is no release from the curse brought about by the wish, only despair and blood.


 

sexta-feira, 12 de junho de 2026

Top 5 May Songs of 2026


 

Continuing my tradition inspired by the movie High Fidelity, here is another Spotify Playlist, this one for the songs that have stuck the most with me throughout the month of May of 2026.

I’ve followed the career of Myrkur since the self-titled EP, and have reviewed at least two albums for Metal Imperium. To me her transition from black metal to a more folk oriented style, at the middle of her career so far, was well made and songs like “Ella” are as captivating and epic as one can find in bands that walk the fine line between metal and folk like Heilung and Wardruna.

Like many teenagers, I listened to many of the singles that came out from A Rush Of Blood To The Head by Coldplay; “In My Place” is more subdued that some of their more “grandiose” songs like “Clocks”, or later “Viva La Vida”, but to me is just a simple song that makes me feel at home whenever I listen to it.

Meanwhile, it’s been a few months since I reviewed Kaltfront by Eisbrecher, their most recent album, but now with a “safe distance” between the repeated listens of the album required for the review I decided to look up its’ singles again, and “Auf Die Zunge” is a catchy industrial metal song that I just kept listening to this May. 

“Teardrop” is a song I first started listening to when I was teenager, almost like an obsession. This May I decided to listen to it again and the sweetness, frailty and beauty of this song has griped me once again.

Peter Tatgren is one of my favorite musicians and songwriters in metal and the reissue of his earlier albums as Pain led me to give the singles a try. “End of The Line” is a dark song, and it is the darkness and rawness of Tatgrens’ lyrics and the catchiness of the music that stuck with me.

So it ends, another month, another playlist, this time, one that reverts more to the past than the present, but still I placed each song in the order I would listen to this playlist; and, as always, I leave bellow the links to each artists’ personal webpages, should the reader feel like learning more about them.

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Spotify Playlist:

https://open.spotify.com/playlist/6T6ZZWZtEIMYfCWFDdGulJ?si=3870cfe2125e4ad0

Myrkur: https://www.myrkurmusic.band/

Coldplay: https://www.coldplay.com/

Eisbrecher: https://www.eis-brecher.com/

Massive Attack: https://www.massiveattack.co.uk/

Pain: https://www.painworldwide.com/band